Whilst his name might not be as synonymous with 60s music as George Martin, Andrew Loog Oldham or even Simon Napier-Bell, say - the latter two having written some pretty interesting books on that period of late themselves - Joe Boyd had his fingers in as many artist's pies as anyone and was behind some incredible music throughout the second half of the decade and beyond, so I was delighted when I heard earlier in the year that he was writing a book.
White Bicycles: Making Music in the 1960s is fundamentally Boyd's story; from his involvement with the US blues, jazz and folk scenes of the early-to-mid 60s, to his move to the UK and his involvement with the UFO Club, Pink Floyd, Fairport Convention, the Incredible String Band and, of course, Nick Drake - who his association with many will recognise and presumably buy this book because of. Like Boyd, 'White Bicycles' is honest, clear, intelligent, dry and (possibly unlike Boyd) very easy to read. I polished it off in under a fortnight, with other books on the go at the same time.
I was first drawn to Boyd years back through his links with the likes of those listed above, Island Records, his production of Floyd's 'Arnold Layne', etc, and whilst I found the sections of the book devoted to those times fascinating, I was delighted to learn about the early part of his life/career before he moved to the UK. For example, he brought Muddy Waters to the UK in 1964, worked as a tour manager for various blues and jazz artists, hovered around Dylan in the early days (indeed, Boyd was stage manager at Newport in 1965 when Dylan 'plugged in' and gives a refreshing account of this now infamous event), accidentally assisted in forming Cream and opened up an Elektra office in London. All before early 1966, you understand.