FAC 501
All of Factory Records releases (both music and video) were given unique catalogue numbers in the form of FAC followed by a number. This numbering system was applied to all Factory productions including posters (FAC 1 advertised a club night), The Haçienda (FAC 51), a hairdressing salon (FAC 98), a broadcast of Channel 4's The Tube (FAC 104), sellotape (FAC 136), a bucket on a restored watermill (FAC 148), the Haçienda cat (FAC 191), a bet between Wilson and Gretton (FAC 253), and a radio advertisement (FAC 294).
Numbers were not allocated in strict chronological order - numbers for Joy Division and New Order releases generally ended in 3 or 0, A Certain Ratio and Happy Mondays in 2, The Durutti Column in 4. Factory Classical releases were 226, 236 and so on...
Why are you being told this?
The last ever Factory catalogue number was given to Tony Wilson's coffin (FAC 501). Brilliant.


Garage punk legends The Monks are to hit the big screen... but at the moment, only our Bavarian pals can see 'em! Drat.



Another nostalgia-driven football book? Possibly, but Punk Football by Andrew Vaughan is as much about life and music in the mid-70s as the beautiful game.
Ever looked at the DJ booth in your local club and wondered why the bloke (or girl) on there happens to be on the phone? They're not booking a taxi or chatting to a mate, the DJ is lining up the next disc for your enjoyment, free of weighty headphones that might flatten the hip young thing's hair. Or more practically, leaving one ear open to hear what's going on.



All the muso types amongst you are probably aware of Julian Cope's Krautrocksampler book from a few years back - a detailed and fascinating history of the weird and wonderful music produced in Germany in the late 60s and 70s. Well, he's now doing the same thing for Japanese music with the Japrocksampler from Julian Cope.
Anthony Wilson, the man behind some of Manchester's most successful bands, has died of cancer.
The Salford-born entrepreneur, who founded Factory records, the label behind New Order and the Happy Mondays, was diagnosed last year.
The 57-year-old, also famous for setting up the Hacienda nightclub, underwent emergency surgery in January to remove a kidney.
He died on Friday evening at the Christie Hospital surrounded by family.

My mate has a saying "Mutton dressed as a kebab". Now that's usually saved for the least desirable of ladies, but that's how I often think of Paul Weller who is currently celebrating 30 years since the forming of The Jam. It may be worth pointing out that he's not going to be celebrating with his considerably less well-off former band mates.
A strange thing landed on my desk. A CD from an 'unknown mystery 60s group'. The info that came with it read of a collectors dream come true. A reel-to-reel tape was found at a flea market in Philadelphia. The tape contained nought but a tracklisting and a couple of photos of what looked like a sixties band. It's almost true good to be true isn't it?
If you happen to be in Manchester in August, it's worth checking out the excellent Richard Goodall Gallery for the first ever public exhibition of Leonard Cohen’s artwork - A Private Gaze.
It's 40 years since Pink Floyd's Piper At The Gates Of Dawn hit the shelves - a fact that hasn't passed EMI by - its reissuing the album as a 3-CD set.
There are some things I just don't understand - the popularity of Jamie Oliver, stamp collecting as a hobby and low alcohol lager to name just three. And I can add to that list Mother Earth's The People Tree not being one of the biggest selling albums of 1994.
Michelangelo Antonioni, the Italian film director best known for his portrait of Swinging London in Blowup, has died.
Antonioni was born in 1912, in Ferrara and alongside Luchino Visconti and Roberto Rossellini was pivotal in the development of the post-war neo-realism movement, dedicated exclusively to portraying the working classes. 